Last night’s Electra rehearsal was bookended by pints of beer. It’s not a habit or anything - it’s pretty rare that I’ll even have a beer after rehearsal, let alone before. But, it just so happened that the cool kids at my day job got some rooftop reservations at Plymouth, which for me was this bizzarro beacon of I-want-to-go-to-there tavern lust. It also just so happened that I had plans earlier in the week to go to Team Trivia at the Chicago Ale House on Wednesday, but that got scrapped in favor of rehearsal at Dream Theatre, so we had to make it up somehow.
Plymouth, as anyone who commutes to the Loop via the Brown Line probably knows, is that cool-looking bar just off Van Buren with the big open rooftop bar. This turned out to be a disappointment, though, in that the rooftop portion was still closed in by weather-resistant transparent plastic. And it was crowded and noisy. So now I hate that place.
The Chicago Ale House, however, was as reliable as ever.
Anyway - rehearsal, yes, rehearsal. There was an initial music rehearsal for the Chorus, who will be performing a very sweet song for your listening pleasure in multi-part harmony. Of course, this being a Dream Theatre show, sweet harmonies (much like the Chorus themselves) are a harbinger of doom.
“Electra” is one of my absolute favorite of Jeremy Menekseoglu’s plays because it’s not just a tragedy, it’s the best kind of tragedy. It’s ironic tragedy. And this production is littered with delicious little pieces of ironic candy. Like a soft, sweet song being one of the scariest things around. Also, the fact that Giau Truong plays a blonder character than me.
Speaking of Giau: whilst Trevor and the zombie girls (great band name right there) rehearsed their beautiful song, Giau and Jeremy and Anna and I rehearsed Giau’s big scene. Dubious comments were made, innuendos were thrown around, motives were called into question, feelings were hurt, and weapons were drawn, but at the end of it all, it was a fabulous rehearsal. Big improvements all around, and now we have probably the best use I’ve ever seen of our “upstairs” set balcony. You won’t want to miss this scene. Which scene? Well, you’ll just have to come see the show. You’ll have to watch all the scenes, and you’ll know what I’m talking about when we get there. You’ll know because it’s awesome.