And that’s how the show feels

orestes-fight-rehearsalWe had the most amazing “Orestes” rehearsal today. There was some time spent in fight choreography and practice, wherein Theresa Neef, Anna Weiler, and Alicia Reese flip back and forth between slow-motion and real-time –- sort of like “The Matrix,” but minus the whoa.

This was followed by the most intense (and longest) fragments exercise I’ve ever been involved in. Two people cried. TWO. Hot, human tears. For real.
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O wretched source of income

best-of-chicago-2010The amazingest news of the week is that Dream Theatre won both Best Off-Loop Theatre Company and Best New Play (for the Agon Trilogy) from the Chicago Reader! The second part is especially amazing since “Orestes,” the third play in the trilogy, hasn’t even opened yet.

And speaking of “Orestes,” it occurs to me that June has flown by and we open in a few short weeks now. I am going to have to memorize my lines at some point.
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Orestes, or Electra 2: Back Into Hell

It feels pretty strange, I will admit, to switch so suddenly from show mode back into rehearsal mode. Like shifting from fifth gear to first without depressing the clutch. I even make that awful grinding noise. But back into rehearsal mode we must go, ready or not, so onward and upward…or, in this case, downward, since the whole second half of Orestes takes place in hell.

electra-in-hell
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Something I never expected (Did it surprise you?)

In honor of our British opponents in today’s World Cup match, let’s start with some 90’s BritPop:

She’s in a family full of eccentrics
She’s done things I never expected
And I need more time


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